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| Madonna and child statue c. 1450, St.Marien Wallfahrtskirche Ziegelheim |
A bottle of Bell's Amber Ale in my right hand, a fistful of tortilla chips in my left, I sit down and reach for the laptop to write something in which I contemplate Holy Week. Or contemplate something.
Easter's on the early side this year, and the weather has been wandering back and forth from promise-of-spring temperatures to so-cold-for-March. Some days the sun shines brightly, but never all day, never for long. The tulips in the yard are far enough along for the rabbits to nibble the tips off the leaves. The forsythia are blooming, sprays of yellow flowers that float above the ground which is still blanketed with last fall's leaves. One hard rainstorm and the forsythia will be done for this year.
Do I need greenery, deciduous greenery? The bare shapes of the maples and oaks and all the others are interesting aesthetically, but all they seem to say to souls is, this is it for the moment. Hold on, keep waiting. We may -- may -- deliver again this year.
Grief caught me in morning worship today. And as it happens, it was a hymn that did it: "The Tree of Life," the text that begins "There in God's garden/stands the Tree of Wisdom." I quote it here so that you do not confuse it with many other "tree of life" hymns. The text, a little unconventional, is from Hungary in the early 1600s, now with a paraphrased translation by Eric Routley. (Read it here.)
Stanza four ends:
Hear what the Voice says, "Come to me, ye weary!Give me your sickness, give me all your sorrow,I will give blessing."
This is my ending, this my resurrection;into your hands, Lord, I commit my spirit.
At age 20, or 30, or even 40, I didn't know—perhaps wouldn't have believed—that grief can fill up a whole hollowed-out body. I may have seen people act this on the stage—MacDuff receiving the news that his wife and children had been slaughtered, or some histrionics in a more modern play. But that was acting, and I turned quickly away from such hard emotions. I didn't know that grief, for real, can suddenly collapse your gut and take away your breath and you need to put your hand on the wall or the table or the back of a chair until your diaphragm relaxes and again draws air into your lungs.
That happens to you and you always remember it. In fact, it catches you and happens again and again. Hard lump in the throat, eyes filling with tears, no breath. You stop singing or walking or working or whatever you're doing and feel the feeling. You feel the gaping absence of what or who you've lost, and your own gaping presence, still here, living with emptiness.
It was one of those moments that caught me this morning. I paused to feel it and to respect it. And to call up the sweet-sad memories of the dead, the missing.
But stanza six of the hymn arrangement called for a soprano descant. I've learned in the past ten or twenty years how to recover and keep singing. To open again, breathe again, seriously, playfully, joyfully. Amen.
In much of my life I've tended to spend Holy Week looking forward to Easter. Maybe this is because I've almost always been singing in church choirs and even as the choir is singing sad and solemn tunes at Maundy Thursday and Good Friday services, it's also rehearsing bright D-major music for Easter Sunday. But also, temperamentally, I lean toward comedy--the plays that turn out well, the novels where all the girls get married in the end, Shakespeare's "The Winter's Tale," where, after repentance and tribulation, the kingdom, sadder but wiser, is restored.
But in me, in my body, that gut-strike of grief lives on, recording the truth of the utter shittiness of a world where things regularly go wrong and so little can be counted on to go right. So much is encompassed in the rounded vowels of sorrow. Here at the beginning of Holy Week 2026, what I see when I look at the black outlines of the trees against the heavy grey sky is Christ on the cross, in pain, alone, suffocating, suffering.
And I know that God gets it. The giant gut-punch of all that's wrong with the world.




